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The Ten-Cent Plague by David Hadju - Publisher: Farrar, Straus and Giroux
- Year: 2008
- Pages: 448
I was always around comics growing up; with the exception of the 6-part Double Dragon series, however, I was never really a collector myself. I spent a lot of time around them, though, usually pawing through boxes at the annual sale at the local comic book shop, or reading my brother’s once he was done with them. By the time my brother and I read comics, the mainstream was dominated by superheroes. Granted, we had entered an era where it was all right to have blood and sex and swearing again, and I suppose I always assumed that’s the way it was.
David Hadju’s The Ten-Cent Plague is the story of the rise and fall of comic books—queerly, it stops short of chronicling their inevitable rise (D.C. and Marvel, especially), focusing mostly on their origins and the hysteria they generated during the 40s and 50s.
Comics began as funnies, more or less: crude drawings with limited text, mostly aimed at new immigrants with poor English skills. They were about and for the lower class, and generated little more than distasteful sniffs from the educated, who saw them as merely another vulgar habit of the underclass. Within a few decades, however, there was a thriving industry that produced a wide array of monthly rags: from illustrated Bible stories to Archie to a variety of horror and crime comics that were, it seems, relatively lurid and often prurient. They may very well seem tame by modern comparisons, but comic book covers featuring severed heads might elicit some shock and awe regardless of generation.
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