With the exception of Powers’ latest novel (which, admittedly, felt more like a novella, for him), or at least everything of his that I’ve read, invariably contains two parallel plots, one current and one historical, that converge around some central idea. The Gold Bug Variations is no different, and it may be easily be Powers’ most well-known work, and I daresay his most lengthy and daring.
To put it glibly, The Gold Bug Variations draws connecting lines between genetics, music (specifically Bach’s Goldberg Variations), and to some degree, computer science. While the book certainly has a long reach, its ultimate impact fails to be quite as impressive as it promises to be.
