rev. 15 April 2009; get the PDF
The laws that protect the creation of content are manifold and complicated—even byzantine. America has copyright protection, which applies to concrete expressions of information, trademark protection, which protects distinctive symbols or verbiage associated with a legal entity, and patent protection, which protects “(1) processes, (2) machines, (3) manufactures or (4) compositions of matter” and is perhaps the least understood of all the various kinds of intellectual property protection (Guntersdorfer, 2003).
The explosion of the Internet in the late 20th and early 21st centuries has thrown into stark relief both the legal problems associated with protecting content in a digital age as well as the ethical issues inherent in the existing process for acquiring official intellectual property protection and the rights afforded involved parties in a redress of grievances. Copyright law specifically has come into public consciousness primarily due to the popularity of filesharing: for all intents and purposes, the advent of modern filesharing was the 1999 arrival of Napster, a program which allowed anyone to exchange digital copies of music online, for free. Legal problems eventually forced Napster to shut down (Ante, Brull, Herman , & France, 2000), but its legacy leaves not only alternative modes of filesharing, but a whole host of new web-based content creation engines that toe the lines of fair use.
