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Several weeks ago, the War in Iraq entered its fourth year—despite the official “end of major combat” that the codpiece-sporting President announced mere months after it began—and the steady sectarian violence pursuant to the toppling of Saddam Hussein’s Baath Party shows no encouraging signs of abatement. It has been a busy four years, with opponents of the war criticizing its planners for the endless stream of seemingly empty motivations, the President and his closest associates maintaining the need to finish stabilizing the region, regardless of cost, and a growing swell of political moderates noting the sour taste that the whole affair has left in their mouths. To a reader in 2007, it seems silly—almost masochistic—to read accounts like Anne Garrels’ Naked in Baghdad: the book chronicles the NPR correspondent’s time in Iraq from just before to less than a month after the United States’ invasion, and its message seems congruent with the cries that have been heard since 2003, the truth falling somewhere in between the most stringent rhetoric from either ideological side. This is old news—no pun intended.
Garrels’ fragmented narrative does not coalesce into an overarching parable about preemptive war or the human cost of conflict, nor does it fall prey to maudlin sympathies. The most important “string”—to borrow one of Garrels’ own metaphors—to be found in the story of Iraq’s fall is the similarities to the ailing Soviet Union in the late 1980s and early 1990s. Not only is Russian language and influence pervasive in the Middle East—Garrels notes this, citing the Soviet Union’s own intrusions into the region during the 20th century—but the parallels between Saddam Hussein and some of the former U.S.S.R.’s less illustrious leaders, and between the two countries’ essential dissolution into chaos and mob rule during regime change, is a pressing allusion.
