I was more familiar with Orson Scott Card for his outspoken Mormonism and membership in the National Organization for Marriage—they of the hokey and dishonest “Gathering Storm” commercials—and his views that homosexuality is an artifact of sexual abuse as a child. There are a number of reasons why I could argue why Card is, in fact, kind of a douchebag, but they are (mostly) irrelevant to a discussion of his writing and I’ll eschew them.
Besides, Card would hardly be the first good science fiction writer whose social or political views are either strange or entirely antithetical to my own. Heinlein was a bit of an odd duck, after all, and the man’s canonical. One of my favorites in Dafydd ab Hugh, who’s a proud conservative in just about every way.
The more pertinent question is to what extent—if any—this ideology permeates Card’s writing, and if it makes for a decent book. Ender’s Game, though nowadays marketed to young adults, is a classic piece of science fiction, and manages to make it onto most lists of influential scifi. I’d heard the name for years through various media until I decided that I could no longer avoid reading the damn thing to see what all the fuss was about.
