A Modest Construct

Where Men Win Glory

Where Men Win Glory: The Odyssey of Pat Tillman Where Men Win Glory: The Odyssey of Pat Tillman
by Jon Krakauer
Publisher: Doubleday
Year: 2009
Pages: 416
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№65

There was a time—ever so briefly—when Pat Tillman dominated the news cycle. Actually, there were two times: one, when the football semi-star joined the military and become a posterboy for patriotism and self-sacrifice, and another when he died via friendly fire, becoming yet another It’s a Mad Mad Mad Mad Mad World story in a long string of nonsensical happenings on the other side of the world.

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Wednesday’s Word LXII

tremendous
adj. Notable for its size, power, or excellence.
adj. Extremely large (in amount, extent, degree, etc.) or great

Tremendous comes to us from the Latin tremendus, meaning “fearful, terrible.” Literally, it means that the described object is “to be trembled at”; the PIE base *tre[s|m], meaning “tremble,” has given rise not only to our modern “to tremble” through the Latin tremere (and hence the origin of “tremendous”), but also “terrible” as well, from terrere (“to inspire fear”). Tremendous and terrible are, therefore, more or less the same words, even though we probably wouldn’t realise it as speakers of Modern English.

Tremendous in the sense of “awful, dreadful, terrible” is a 17th-century construction. It began to take on other meanings—size, for instance, as well as superlatively good—in the early 18th century. In doing so, it lost most of its qualifying characteristics in favor of quantifying ones.

Oddly enough, one of tremendous’s synonyms, enormous, experienced something like this phenomenon as well. The manner in which most of us use it—to denote a massive size—is an old form, dating from the mid-16th century, from the Latin enormis (read: not normal); in that respect the word has been fairly stable. Prior to that, however, the word referred to outrageousness or wickedness, and that sense is still retained in the word “enormity,” which I don’t hesitate to note has fallen into disuse. As often as not, when someone uses the word “enormity” they are yet referring to size.

There was a notable shift in the early-to-mid-19th century in the usage of these words; they lost much of their connotations and became mere intensifiers. Consider “awful,” which is literally that which inspires “awe,” the aforementioned “tremendous,” and “terribly” in its adjective form. Even “terrific,” which is another Latinate word which originally meant “to inspire terror,” has become either a positive phrase like tremendous, or a general purpose intensifier.

Our other “size” words are often more recent constructions or have less interesting histories.. Gigantic is a straightforward derivation of “giant,” though it looks more again to the Latin gagantem (gagas is “giant”). Humongous is nonsense word from the 1960s which mixes “huge” and “monstrous.” “Ginormous” (from “gigantic” and “enormous”), a very recently-popular construction, attests to this same phenomenon.

Ironically enough, our simplest words for size are the most mysterious. “Huge” is from Old French ahuge, whose origins are lost to us; “big” is a 13/14th-century word from Northern England, with potentially Scandanavian but otherwise unknown etymology. “Large,” which is a straightfoward Latinate word originally meaning “bountiful” gained its alternate sense of size around this same point.

JPod

JPod JPod
by Douglas Coupland
Publisher: Bloomsbury
Year: 2007
Pages: 567
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What is 52 Books in 52 Weeks?
№64

JPod is considered the spiritual successor to Douglas Coupland’s Microserfs, a boom-era tech novel about the joys and perils of working at Microsoft in its heyday. As you can read in my review of the book, I was not particularly fond of it; perhaps I simply can’t appreciate Coupland’s treatment of that era. I personally found Show Stopper! to be a more interesting and engaging book; it dealt with the same subject matter, but it was a historical treatment and not a romp through absurdist humor only vaguely related to its purported subject.

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SuperFreakonomics

SuperFreakonomics SuperFreakonomics
by Steven D. Levitt and Stephen J. Dubner
Publisher: William Morrow
Year: 2009
Pages: 287
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№63

When Steven Levitt and Stephen Dubner published Freaknomics several years ago, they gained a bit of mainstream fame as popular science writers (think Malcolm Gladwell). They also stirred up controversy with their assertion that abortion lowers the crime rate, which also raised a ruckus for poor Bill Bennett, who didn’t deserve it for once.

For better or worse, Levitt and Dubner have drummed up a sequel, dubbed—faster, better, stronger—SuperFreakonomics, a title that is preposterous and sensationalist, but which the authors readily admit.

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Eating the Dinosaur

Eating the Dinosaur Eating the Dinosaur
by Chuck Klosterman
Publisher: Scribner
Year: 2009
Pages: 256
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№62

Chuck Klosterman’s volumes of collected essays always leave me feeling ambivalent. He is undoubtedly intelligent, and reminiscent of David Foster Wallace in style and approach, though DFW is at least several of orders of magnitude better. Lest you think I’m being unfair, this is also Klosterman’s assessment in one of the essays in Eating the Dinosaur where he talks about irony in popular culture. But every time I read Klosterman, I end up feeling somehow insulted; perhaps it’s his long history of apologetics for awful cultural phenomena—one of his previous books included a long essay in which he praised MTV’s The Real World to the skies—or perhaps its some of the semantic or epistemological jumps he makes in order to segue from the illustrative object of his essay to its philosophical point.

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And Another Thing…

And Another Thing... And Another Thing...
by Eoin Colfer
Publisher: Hyperion
Year: 2009
Pages: 288
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What is 52 Books in 52 Weeks?
№61

I’m no stranger to the Hitchhiker’s Guide to the Galaxy. A lot of people are no strangers to the 5-book trilogy, either, which is why there was quite a ballyhoo when Eoin Colfer was selected to continue the series on behalf of the late Douglas Adams.

There are, therefore, a number of questions to be asked about And Another Thing…. The first is “Was Eoin Colfer a good choice to take up the mantle of Douglas Adams?” The second is “Should the Hitchhiker’s series have been continued at all?” The final is “Was the book decent?”

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