-
Appetite for Self-Destruction: The Spectacular Crash of the Record Industry in the Digital Age - Publisher: Soft Skull Press
- Year: 2009
- Pages: 320
Unless you’ve been in a cave, on Mars, with your eyes closed and your hands over your years, you’ve heard of the spate of recent lawsuits brought against alleged copyright infringers, who use peer-to-peer software like (then) Kazaa and (now) Bittorrent to share digital copies of music and movies, and who have aroused the ire of the RIAA and MPAA, respectively.
There’s really no getting around the fact that this amounts to theft (the term “piracy”, actually, gives it a gloss of sex appeal); you can say what you’d like about the near-zero marginal cost of digital goods, the criminal practices of the publishing industry, the economics of an information age, and success of Trent Reznor and Radiohead, etc. At its core, the issue is still one of users acquiring copyrighted goods to which they have no legal right; make no mistake: artists and actors and the technical workers who support them should be receive compensation for the work the produce, and that consumers who refuse to pay for these goods are ultimately hurting themselves, because they will staunch the flow of the media they consume.
