Or something like that. This wonderful person has done a detailed analysis of MySpace using Google and its various query triggers.

It all started when I wanted to find a reason why the core of my Internet-saturated being hates Myspace. For fun one day, I searched within Myspace’s profiles for the following phrases:

  • 9620: “I’m going to kill myself”
  • 72,000: “I’m rick James Bitch”
  • 3,100,000: wierd
  • Man! This is fun, thought I.

This got me started on a torturous hour of minimally scientific research to discover exactly why Myspace is for the most part a heaping pile of hot garbage. I started writing.

§1103 · April 23, 2006 · (No comments) · Tags:

Get the PDF: revised 1 May 2007

“Me thynketh it acordaunt to resoun / To telle yow al the condicioun / Of ech of hem, so as it semed me, / And whiche they weren, and of what degree.” So says Geoffrey Chaucer’s narrator in the General Prologue, and Chaucer continues to tell his readers the “condicioun” of the frame narrators by reinterpreting folk tales or prior art in ways which qualify the tellers (I 37-40). No less is true of Chaucer himself, who is qualified by the nature of his approach to the subjects of the Canterbury Tales. His era was defined by rigid normative social constructs: traditional gender and sexual identities were deeply entrenched and rarely subverted. Much is made of his manifold depictions of femininity, but I propose that despite the binding sexual identities of Chaucer’s England, his treatment of sexual alterity—specifically femininity—was remarkably progressive when taken in the proper context. Since any discussion of the Self-Other binary deals not simply with rhetorical depictions, but principally with moral or political agency, it is crucial that modern readers read past superficial description and understand both the Boethian philosophical roots that underscore Chaucer’s work and the manner in which the politics of gendered discourse inform modern readings of the work. Only then do some of the criteria for sympathetic treatment—explicitly or implicitly—reveal themselves in the text. Read more…

§1101 · April 22, 2006 · 6 comments · Tags: , ,

Thank You for Smoking Thank You for Smoking by Christopher Buckley
Publisher: Random House
Year: 1994
Pages: 272

I saw the film adaptation of this book on the same day I started it. I was about 50 pages in. Although the movie condensed some of the plot for brevity’s sake, and obviously excluded some of the political nuance that Buckley captures so well, I thought that after seeing the movie, I’d more or less know what to expect. Wrong. (Possible spoilers after the fold.) Read more…

§1099 · April 21, 2006 · 2 comments · Tags:

The Mysterious Island The Mysterious Island by Jules Verne
Publisher: Signet Classics
Year: 1874/2004
Pages: 528

I read 20’000 Leagues Under the Sea when I was a young boy and thought it was wonderful (science fiction at its finest), and imagine my surprise when I happened upon an article one day that mentioned another book, The Mysterious Island, which served as a sort of sequel. Well, I would see about that! Of course, this was at a young enough age that 500 pages seemed impossibly big, and sure enough, it took me between three and four weeks to get through it, but it remains to this day one of my favorites.

Daniel Defoe, eat your heart out. The story of 5 castaways (and a dog) marooned on an island in the Pacific, the book charts their travails. There is Cyrus Harding, an engineering genius; Neb, his freed slave; Gideon Spilett, a famous reporter; Pencroft, a hearty sailor; and Herbert, a young lad studying biology. And of course Top, the so-smart-he’s-almost-human dog.

By dint of Cyrus engineering prowess and a dint of hard work, the colonists make a home for themselves on the island, surviving for a number of years. But all is not well: a number of unexplainable occurrences (beneficial to the colonists) make them all wonder if there isn’t some other inhabitant on the island who keeps his identity a secret.

If you’ll remember that this book is a “sequel” of sorts to 20’000 Leagues, you can probably guess who the mysterious benefactor is. Verne doesn’t tell you until the last fifty pages or so, however.

Like 20’000 Leagues, the book is heavy on science and math, as was Verne’s wont. He does to great pains to describe the flora and fawna of the island, the geological forge which created it, the chemistry that Harding employs to work his wonders, and the weather systems that seem to plague the island. If that sounds boring to you, The Mysterious Island may not be your speed. However, I love it, and any fans of Verne should pick it up immediately, or maybe just read it online [1, 2]

§1098 · April 20, 2006 · 1 comment · Tags:

get the PDF

Everyone wants to claim the GUI. The first iteration of Windows as we know it was released in 1985, and featured a crude—by today’s standard—GUI advertised by a frenetic Steve Ballmer on TV. Microsoft, however, was beaten to the punch by Apple, whose Lisa line of personal computers was the first mass-marketed computer to feature a GUI. Even before Apple, however, there was the Xerox Corporation’s PARC, ostensibly the first interactive display, and the system that inspired Steve Jobs to push forward with a GUI for his line of computers (Reimer 4). By the end of the 1980s, even Unix workstations were getting GUIs as the X Windows System came into popularity. Initially, X merely mimicked the Windows idiom, but eventually grew its own ideas about interfacing (6). There have been more attempts to create popular GUI environments, as well as revisions of the ones that worked, than is possible to even list briefly, but both successes and failures faced the same goals and the same problems; namely, how does one create an æsthetically-appealing interface that is both functional and efficient. As we shall see, the balance between a GUI’s visual beauty and its resource usage, as well as the never-ending argument of what constitutes usability, consistently makes or breaks a prospective environment. Read more…

§1096 · April 18, 2006 · (No comments) · Tags: , , , ,