A Modest Construct

Wednesday’s Word LXIV

alcohol
n. (organic chemistry, countable) Any of a class of organic compounds (such as ethanol) containing a hydroxyl functional group (-OH).
n. (uncountable) An intoxicating beverage made by the fermentation of sugar or sugar-containing material.

One would generally expect such a popular item to have more interesting—potentially dirty or morbid—roots, but the clinical term by which we refer to that which we imbibe to get silly is nothing more than an organic chemistry term which applies to many different compounds, most of which we don’t (and shouldn’t) drink. The word alcohol itself is unchanged from the Middle English, which absorbed it as a chemical term from the Arabic al-kuħl. It, too, refer to a whole family of compounds, but popular usage tends to refer specifically to ethanol, which is the tasty sort that we drink at bars.

The word ethanol is a combination of the aforementioned alcohol and the prefix ethyl-, which is from the Greek αἰθήρ (“ether”), but very likely our current use of the prefix is more directly from the German äthyl, since Germany was kicking American butts in chemistry before we finally got our act together.

But what about the common man’s terms for alcohol? What about booze, liquor, hootch, and swill? What about all the various kinds of libations: wine, vodka, beer, rum, bourbon, whiskey, scotch, tequila, brandy, and moonshine? Turns out, the world of alcohol is as wide and elaborate as we initially thought.

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The Great Influenza

The Great Influenza The Great Influenza
by John M. Barry
Publisher: Viking Adult
Year: 2004
Pages: 560
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What is 52 Books in 52 Weeks?
№16

The recent hullabaloo both in America and abroad about H1N1 (“swine flu”) last year brought influenza back into the zeitgeist in a way it has not been for many years—more years, likely, than the last couple of generations largely ignorant of just how serious influenza was and could potentially be in the future. About 14,000 deaths were caused by the swine flu worldwide to-date. Compare that figure to the estimates for mortality in the 1918 flu pandemic, which range from 20 million deaths on the low end to 120 million deaths on the high end.

The Great Influenza is what Richard Preston’s The Hot Zone should have been about instead of an Ebola threat that was, well, never actually a threat.

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The Forever War

The Forever War The Forever War
by Joe Haldeman
Publisher: St. Martin's Griffin
Year: 1974/2009
Pages: 288
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What is 52 Books in 52 Weeks?
№15

In a sort of theme of futuristic sci-fi war dystopias (see Ender’s Game and Old Man’s War), I’ve decided to read Joe Haldeman’s The Forever War. It’s a famous book, and over 35 years old at this point. It’s most commonly compared to Heinlein’s Starship Troopers, but that’s a rather facile comparison, especially today when we all know better.

Last year, the movie District 9 came out to great acclaim; the most common complaint was that its symbolism (hint: it’s an allegory for apartheid) was too ham-fisted and obvious. The Forever War is a little like that, except instead of apartheid, the book is an allegory for the Vietnam War, and most particularly the reacclimation of those who fought in it to post-war civilian life.

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Wednesday’s Word LXIII

transparent
adj.. clear; having the property that light passes through it almost undisturbed

Transparent is a common word; I’ve known it since I was a child. Slightly less well known is “translucent,” which has largely the same meaning, although the latter usually indicates a lesser degree of transparency.

With a bit of familiarity with Latin roots, its easy to see what these two words have in common: trans indicates “across” or “over,” which leads to such modern English words as “transmit”, “transport”, “transaction”, “transcontinental” and others. But what about the second part of each word: could that tell us how they are different?

The suffix “lucent” comes from the Latin lucere (“to shine”); literally, then “translucent” effectively means “to allow light to shine through/across”. The various forms of the Latin luceo can be seen in words such as “lantern” (weakly), as the modern “light” (→ L. lux → PIE *leuk-).

The parens suffix of “transparent” comes from another Latin root, appareo, which means “to become visible” or “to appear”. We can see its influence in such words as “appear” (a direct lineage of appareo) as well as “apparition”. Also, if you’re wondering, our modern English “parent” does come from this same root. The pareo root can also mean “I submit” or “I am obedient to”, which led to the verb parere (to breed or bring forth), and you can probably guess the rest from there. In fact, the PIE root *per-, which means “to bring forth”, is really applicable in all the words here. In the context of your progenitors, they brought you forth from their loins; in the context of transparent materials, they allow light to come forth in a manner of speaking.

Juliet, Naked

Juliet, Naked Juliet, Naked
by Nick Hornby
Publisher: Riverhead
Year: 2009
Pages: 416
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What is 52 Books in 52 Weeks?
№14

Like a lot of readers, my impression of Nick Hornby is most influenced by High Fidelity, which is still widely considered his best novel. I can’t say for certain, but I suspect that the book’s popularity has not a little to do with its treatment of minutiae: the plot itself is somewhat tepid romantic comedy fare, but the tangents about pop records are delivered with such a characteristic force that one can’t help but pay attention.

Juliet, Naked attempts to recapture some of that juju. It’s the story of Tucker Crowe, a somewhat obscure indie musician from the 70s and 80s who very suddenly left the music scene (and any sort of public persona) after a mysterious incident in the bathroom of a Minnesota nightclub. For the next twenty years, a gaggle of his most devoted fans have speculated about his life, the cause of his exit, the merits of his music, and theories about his current whereabouts. To readers somewhat familiar with the indie rock scene, that kind of underground obsession is a familiar phenomenon—the tendency of the fanatical is to impose genius upon the mysterious. Hornby’s status as a cognoscente of the pop music scene gives the story a certain sense of slick verisimilitude that works well.

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File Compressors in 64-bit

Though I’m not the sort of person who believes that native 64-bit compilations of programs will automagically make them perform faster or better, I do like to keep an eye on the state of the art, since I was an early adopter of native 64-bit OSes (I’ve been using 64-bit Linux since about Fedora Core 2 or 3, and beta versions of Windows XP x64) when AMD launched their K8 platform.

Previously, I’ve casually benchmarked the Javascript speeds of 64-bit browsers v. their 32-bit counterparts (here); more recently, I benchmarked a 64-bit compile of FLAC against several other 32-bit compiles of the same version (here).

This time, I decided to test various and sundry file compression utilities—more specifically, those which offer both 32- and 64-bit versions of themselves. This benchmark did not exhaustively test all potential combinations of compression options (if you’re interested in that, see Werner Bergman’s excellent Maximum Compression and Matt Mahoney’s Data Compression Programs), nor will it compare various compressors to each other; neither will it even list how well the programs actually compressed, since that’s not really a consideration here. The sole purpose of the benchmark was to compare the execution time of a 32-bit program with its 64-bit version.

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